Saturday, August 29, 2015

Superman and Me

Superman and Me

SHERMAN ALEXIE | Sherman Alexie is the author, most recently, of "Indian Killer.

Editor's Note: The following essays by Sherman Alexie, J.D. McClatchy, Robert Pinsky, Mona Simpson and Ted Kooser are included in a recent anthology published by Milkweed Editions, entitled "The Most Wonderful Books: writers on Discovering the Pleasures of Reading." They are reprinted here with the kind permission of the publisher and the authors.
*
THE ESSAY BEGINS HERE

I learned to read with a Superman comic book. Simple enough, I suppose. I cannot recall which particular Superman comic book I read, nor can I remember which villain he fought in that issue. I cannot remember the plot, nor the means by which I obtained the comic book. What I can remember is this: I was 3 years old, a Spokane Indian boy living with his family on the Spokane Indian Reservation in eastern Washington state. We were poor by most standards, but one of my parents usually managed to find some minimum-wage job or another, which made us middle-class by reservation standards. I had a brother and three sisters. We lived on a combination of irregular paychecks, hope, fear and government surplus food.

My father, who is one of the few Indians who went to Catholic school on purpose, was an avid reader of westerns, spy thrillers, murder mysteries, gangster epics, basketball player biographies and anything else he could find. He bought his books by the pound at Dutch's Pawn Shop, Goodwill, Salvation Army and Value Village. When he had extra money, he bought new novels at supermarkets, convenience stores and hospital gift shops. Our house was filled with books. They were stacked in crazy piles in the bathroom, bedrooms and living room. In a fit of unemployment-inspired creative energy, my father built a set of bookshelves and soon filled them with a random assortment of books about the Kennedy assassination, Watergate, the Vietnam War and the entire 23-book series of the Apache westerns. My father loved books, and since I loved my father with an aching devotion, I decided to love books as well.




I can remember picking up my father's books before I could read. The words themselves were mostly foreign, but I still remember the exact moment when I first understood, with a sudden clarity, the purpose of a paragraph. I didn't have the vocabulary to say "paragraph," but I realized that a paragraph was a fence that held words. The words inside a paragraph worked together for a common purpose. They had some specific reason for being inside the same fence. This knowledge delighted me. I began to think of everything in terms of paragraphs. Our reservation was a small paragraph within the United States. My family's house was a paragraph, distinct from the other paragraphs of the LeBrets to the north, the Fords to our south and the Tribal School to the west. Inside our house, each family member existed as a separate paragraph but still had genetics and common experiences to link us. Now, using this logic, I can see my changed family as an essay of seven paragraphs: mother, father, older brother, the deceased sister, my younger twin sisters and our adopted little brother.

At the same time I was seeing the world in paragraphs, I also picked up that Superman comic book. Each panel, complete with picture, dialogue and narrative was a three-dimensional paragraph. In one panel, Superman breaks through a door. His suit is red, blue and yellow. The brown door shatters into many pieces. I look at the narrative above the picture. I cannot read the words, but I assume it tells me that "Superman is breaking down the door." Aloud, I pretend to read the words and say, "Superman is breaking down the door." Words, dialogue, also float out of Superman's mouth. Because he is breaking down the door, I assume he says, "I am breaking down the door." Once again, I pretend to read the words and say aloud, "I am breaking down the door" In this way, I learned to read.

This might be an interesting story all by itself. A little Indian boy teaches himself to read at an early age and advances quickly. He reads "Grapes of Wrath" in kindergarten when other children are struggling through "Dick and Jane." If he'd been anything but an Indian boy living on the reservation, he might have been called a prodigy. But he is an Indian boy living on the reservation and is simply an oddity. He grows into a man who often speaks of his childhood in the third-person, as if it will somehow dull the pain and make him sound more modest about his talents

A smart Indian is a dangerous person, widely feared and ridiculed by lndians and non-Indians alike. I fought with my classmates on a daily basis. They wanted me to stay quiet when the non-Indian teacher asked for answers, for volunteers, .for help. We were Indian children who were expected to be stupid. Most lived up to those expectations inside the classroom but sub- verted them on the outside. They struggled with basic reading in school but could remember how to sing a few dozen powwow songs. They were monosyllabic in front of theirnon-Indian teach- ers but could tell complicated stories and jokes at the dinner table. They submissively ducked their heads when confronted by a non-Indian adult but would slug it out with the Indian bully who was 10 years older. As Indian children, we were expected to fail in the nowIndian world. Those who failed were ceremonially accepted by other Indians and appropriately pitied by non- Indians.
I refused to fail. I was smart. I was arrogant. I was lucky. I read books late into the night, until I could barely keep my eyes open. I read books at recess, then during lunch, and in the few minutes left after I had finished my classroom assignments. I read books in the car when my family traveled to powwows or basketball games. In shopping malls, I ran to the bookstores and read bits and pieces of as many books as I could. I read the books my father brought home from the pawnshops and secondhand.

I read cereal boxes. I read the newspaper. I read the bulletins posted on the walls of the school, the clinic, the tribal offices, the post office. I read junk mail. I read auto-repair manuals. I read magazines. I read anything that had words and paragraphs. I read with equal parts joy and desperation. I loved those books, but I also knew that love had only one purpose. I was trying to save my life.


Despite all the books I read, I am still surprised I became a writer. I was going to be a pediatrician. These days, I write novels, short stories, and poems. I visit schools and teach creative writing to Indian kids. In all my years in the reservation school system, I was never taught how to write poetry, short stories, or novels. I was certainly never taught that Indians wrote poetry, short sto- ries, and novels. Writing was something beyond Indians. I cannot recall a single time that a guest teacher visited the reservation. There must have been visiting teachers. Who were they? Wherenare they now? Do they exist? I visit the schools as often as pos- sible. The Indian kids crowd the classroom. Many are writing their own poems, short stories, and novels. They have read my books. They have read many other books. They look at me with bright eyes and arrogant wonder. They are trying to save their lives. Then there are the sullen and already defeated Indian kids who sit in the back rows and ignore me with theatrical precision. The pages of their notebooks are empty They cany neither pencil nor pen. They stare out the window. They refuse and resist.

"Books," I say to them. "Books," I say. I throw my weight against their locked doors. The door holds. I am smart. I am arrogant. I am lucky. I am trying to save our lives. 

Wednesday, August 26, 2015

Writing #1

Writing Assignment #1

Writing Assignment #1 – Descriptive Paragraph
For this assignment, you will write a descriptive paragraph of a photograph of your choice. Your paragraph should be at least eight sentences long.
Choosing your photo
To begin this assignment, you need to find a photograph you are interested in writing about. I recommend that you pick a color photo (unless black-and-white is part of the style of the photo). You can use a photo from a magazine or from the Internet. If you choose an online photo, you should print out a color copy that you can bring to class.
Please do not use personal photos that include people you know personally or celebrities with whom you have strong associations.
Prewriting & Outline – worth 10 points – in-class
1.     Look at your photo carefully. Make a list of everything you notice. Include small details, as well as your impressions and major features of your photo.
2.     Free-write for five minutes on your photo.
Create an outline
1.     What is your overall impression of your photo? What is the main point you want to make about it? Draft your topic sentence.
2.     Identify three to five points you want to make about your photo that support your topic sentence. (Remember, the final draft of your paragraph must be at least eight sentences long!)
3.     Organize your points in the order you will discuss them in your paragraph.
To get credit for your prewriting & outline, you must show it to your instructor before the end of the class period.
Draft of descriptive paragraph – worth 10 points – due in class
Write a draft of your descriptive paragraph and bring it to class. Your draft should follow your outline and include a topic sentence that expresses your main idea, as well as supporting sentences that develop your supporting points with specifics and details. You may type your draft or neatly handwrite it. Please double-space!
To get credit for draft, you must bring it to class on the day it is due and participate in the in-class draft workshop.
Revise your essay based on the feedback you receive during the in-class draft workshop. Type and double-space your paragraph.

Monday, August 24, 2015

A Duty To Heal

A Duty to Heal
By Pius Kamau

Growing up in the grinding poverty of colonial Africa, America was my shining hope. Martin Luther King's non-violent political struggle made freedom and equality sound like achievable goals. America's ideals filled my head. Someday, I promised myself, I would walk on America's streets.
But, as soon as I set foot in America's hospitals, though, reality — and racism — quickly intruded on the ideals. My color and accent set me apart. But in a hospital I am neither black nor white. I'm a doctor. I believe every patient that I touch deserves the same care and concern from me.
In 1999, I was on call when a 19-year-old patient was brought into the hospital. He was coughing up blood after a car accident. He was a white supremacist, an American Nazi with a swastika tattooed on his chest.
The nurses told me he wouldn't let me touch him. When I came close to him, he spat on me. In that moment, I wanted no part of him either, but no other physician would take him on. I realized I had to minister to him as best as I could.
I talked to him, but he refused to look at me or acknowledge me. He would only speak through the white nurses. Only they could check his body for injury. Only they could touch his tattooed chest.
As it turned out, he was not badly hurt. We parted strangers.
I still wonder: Was there more I could have done to make our encounter different or better? Could I have approached him differently? Could I have tried harder to win his trust?
I can only guess his thoughts about me, or the beliefs he lived by. His racism, I think, had little to do with me, personally. And, I want to think it had little to do with America, with the faith of Martin Luther King and the other great men whose words I heard back in Africa, and who made me believe in this nation's ideals of equality and freedom.
My hands — my black hands — have saved many lives. I believe in my duty to heal. I believe all patients, all human beings, are equal, and that I must try to care for everyone, even those who would rather die than consider me their equal.

Sunday, August 16, 2015

Handout 1: Grow Intelligence



You Can Grow Your Intelligence

 New Research Shows the Brain Can Be Developed Like a Muscle

Winter 2008
Many people think of the brain as a mystery. They don't know much about intelligence and how it works. When they do think about what intelligence is, many people believe that a person is born either smart, average, or dumb — and stays that way for life.

But new research shows that the brain is more like a muscle — it changes and gets stronger when you use it. And scientists have been able to show just how the brain grows and gets stronger when you learn.

Everyone knows that when you lift weights, your muscles get bigger and you get stronger. A person who can't lift 20 pounds when they start exercising can get strong enough to lift 100 pounds after working out for a long time. That's because the muscles become larger and stronger with exercise. And when you stop exercising, the muscles shrink and you get weaker. That's why people say "Use it or lose it!

But most people don't know that when they practice and learn new things, parts of their brain change and get larger a lot like muscles do when they exercise.

Inside the cortex of the brain are billions of tiny nerve cells, called neurons. The nerve cells have branches connecting them to other cells in a complicated network. Communication between these brain cells is what allows us to think and solve problems.

When you learn new things, these tiny connections in the brain actually multiply and get stronger. The more that you challenge your mind to learn, the more your brain cells grow. Then, things that you once found very hard or even impossible to do — like speaking a foreign language or doing algebra — seem to become easy. The result is a stronger, smarter brain.

How Do We Know the Brain Can Grow Stronger?
Scientists started thinking that the human brain could develop and change when they studied animals' brains. They found out that animals who lived in a challenging environment, with other animals and toys to play with, were different from animals who lived alone in bare cages.

While the animals who lived alone just ate and slept all the time, the ones who lived with different toys and other animals were always active. They spent a lot of time figuring out how to use the toys and how get along with the other animals.

These animals had more connections between the nerve cells in their brains. The connections were bigger and stronger, too. In fact, their whole brains were about 10% heavier than the brains of the animals who lived alone without toys.

The animals who were exercising their brains by playing with toys and each other were also "smarter" — they were better at solving problems and learning new things.

Even old animals got smarter and developed more connections in their brains when they got the chance to play with new toys and other animals. When scientists put very old animals in the cages with younger animals and new toys to explore, their brains grew by about 10%!

Children's Brain GrowthAnother thing that got scientists thinking about the brain growing and changing was babies. Everyone knows that babies are born without being able to talk or understand language. But somehow, almost all babies learn to speak their parents' language in the first few years of life. How do they do this?

The Key to Growing the Brain: Practice?
From the first day they are born, babies are hearing people around them talk — ail day, every day, to the baby and to each other. They have to try to make sense of these strange sounds and figure out what they mean. In a way, babies are exercising their brains by listening hard.

Later, when they need to tell their parents what they want, they start practicing talking thernsefves. At first, they just make goo-goo sounds. Then, words start coming, And by the time they are three years old, most can say whole sentences almost perfectly.

Once children learn a language, they don't forget it. The child's brain has changed — it has actually gotten smarter.

This can happen because learning causes permanent changes in the brain. The babies' brain cells get larger and grow new connections between them. These new, stronger connections make the child's brain stronger and smarter, just like a weightlifter's big muscles make them strong.

The Real Truth About "Smart" and "Dumb"
No one thinks babies are stupid because they can't talk. They just haven't learned how to yet. But some people will call a person dumb if they can't solve math problems, or spell a word right, or read fast — even though all these things are learned with practice.

At first, no one can read or solve equations. But with practice, they can learn to do it. And the more a person learns, the easier it gets to learn new things-because their brain "muscles" have gotten stronger!

The students everyone thinks are the "smartest" may not have been born any different from anyone else. But before they started school, they may have started to practice reading. They had already started to build up their "reading muscles." Then, in the classroom, everyone said, "That's the smartest student in the class."

They don't realize that any of the other students could learn to do as well if they exercised and practiced reading as much. Remember, all of those other students learned to speak at least one whole language already — something that grownups find very hard to do. They just need to build up their "reading muscles" too.

What Can You Do to Get Smarter?
Just like a weightlifter or a basketball player, to be a brain athlete you have to exercise and practice. By practicing you make your brain stronger. You also learn skills that let you use your brain in a smarter way-just like a basketball player learns new moves.

But many people miss out on the chance to grow a stronger brain because they think they can't do it, or that it's too hard. It does take work, just like becoming stronger physically or becoming a better ball player does. Sometimes it even hurts! But when you feel yourself get better and stronger, worth it!

E-mail your questions to growyourbrain@aol.com.
 

Syllabus Eng 20

English 20
Basic Writing

Instructor: Tom Amano-Tompkins                                                                  Fall 2015
Section #22068: MW 7:00-8:50 pm                                                               Location: SS-213
Office hours: TBA
Email: tomp99@earthlink.net (best way to communicate with me outside of class!). Also I can be reached at tamanotompkins@cerritos.edu.
Website: http://caliteach.com/eng20/
Prerequisite:  Satisfactory completion of the English Placement Process or ENGL 15 or ESL 200 or equivalent with a grade of Pass or "C" or higher.
Course Description:  This course introduces students to the writing process as a 
means of developing ideas into clear, correct, and effective writing. The course concentrates on short essay writing in accord with the conventions of standard written English.
Course Objectives:
·   Write standard American English appropriate to the college and workplace
·   Write varied sentences (simple, compound, complex, 
compound-complex) 

·   Employ one or more prewriting strategies (brainstorming, free 
writing, clustering, etc.) 

·   Plan and write coherent paragraphs that incorporate effective 
topic sentences, transitions, and supporting sentences by 
various strategies of development 

·   Plan and write coherent finished essays that incorporate 
effective thesis statements, transitions, support paragraphs with detail, and various strategies of introduction, development, and conclusion 

·   Discuss college level reading material 

·   Write summaries, paraphrases, and critiques that accurately 
reflect and or/criticize the subject matter 

·   Write paragraphs and essays in different expository modes 
(process analysis, classification, comparison/contrast, etc.) 

·   Recognize diverse purpose, audience, point of view, and style in 
various essay structures 

·   Use various revision methods to improve diction, sentences, 
paragraphs, and overall essay effectiveness 

·   Recognize effective and ineffective writing in individual, student, 
and outside writing 

·   Find information in the library and utilize it in writing 
compositions 


Student Learning Outcomes:
Upon successful completion of this course, the student will be able to:
·   Employ the Writing Process in order to understand and 
complete the writing task
·   Write paragraphs and short essays that have a specific purpose, 
in response to specific writing prompts and course assignments 

·   Write paragraphs using specific details, examples, and 
illustrations to fulfill a purpose 

·   Demonstrate appropriate critical thinking and strategies in 
writing 

·   Write in prose style characterized by clarity and variety 

·   Adhere to the conventions of standard written English 

Required Texts:
Stepping Stones: A Guided Approach to Writing Sentences and Paragraphs by Chris Juzwiak (ISBN 0312675992)
Devil in a Blue Dress by Walter Mosley (ISBN 0743451791)

Students who succeed in English 20 usually choose to              **Read carefully!**

  • Make a serious commitment to succeeding in this class.
  • Come to class on time and prepared.
  • Get the required texts as soon as possible.
  • Do all the assignments, including readings, and keep up with the class schedule.
  • Participate in class discussions and activities.
  • Refrain from using their cell phones during class.
  • Let me know immediately if they experience a problem with the class or if other areas of their lives seriously interfere with their ability to do their class work.
  • Seek out all legitimate help with their course work, if you need it, including campus resources, campus librarians, your textbook, and me.
·      Maintain academic integrity by doing their own work. They do not plagiarize; they do not cheat. (See box on plagiarism below.)
  • Treat classmates and instructor with respect and consideration.
  • Recognize that real learning is difficult – it involves making mistakes and taking risks.
If you are not willing to make these choices, you are not likely to pass this class!
Plagiarism can mean copying, word for word, all or part of something someone else has written and turning it in with your name on it. Plagiarism also includes using your own words to express someone else’s ideas without crediting the source of those ideas and reusing your own papers written for another class.
Plagiarism is a very serious form of academic misconduct. It’s both lying and stealing, and it’s a waste of time for students and teachers. College and departmental policy on plagiarism will be strictly enforced: Any student caught plagiarizing will automatically receive a zero for that assignment, with no possibility of making it up, and may be subject to up to a formal reprimand and/or suspension.
Cite your sources! Please retain all notes and drafts of your papers until grading for the course is completed.
Attendance/Tardiness
Attendance in class is mandatory. This is the college policy. If a student is absent during the add period OR for more than 10% of the total class hours (three classes), the instructor has sufficient cause to drop that student from the class. Arriving late or leaving early will count as one half of an absence.
Grading:  Your final grade in this class will be computed as follows.
Assignments:
Composition 1 (100 words)                                        5%                             
Composition 2 (150 words)                                        10%                           
Composition 3 (200 words)                                        10%                            
Composition 4 (300 words)                                        20%                            
Reading Analysis Presentation  (150-200 words)       5%                             
In-Class Essay (200 words)                                        10%                           
Mid-Term `                                                                 7%                            
Final Exam (300 words)                                              15%                            
Homework (including posts)                                       10%                            
Participation                                                                  8%                            
Total                                                                            100%                          
Written Compositions: All essays and written compositions written outside the classroom must be typed on a computer.  Please double-space your work. Writing on a word processor improves writing skills.  Because writing is a process of prewriting, organizing, composing, revising, and editing, traditional methods of typing or handwriting assignments are often time-consuming and ineffective.  Certainly, they discourage revision.  Computers, on the other hand, make revision and the writing process more manageable at every stage.  There are computer labs in several locations on campus.
Planning / Discovery: When you turn in an essay, you must turn in all prewriting, drafts, and peer reviews as well as the final draft to receive credit on the essay. 
Peer Review: We will be peer reviewing rough drafts for all take-home essays.  In order to be eligible to be turned in for credit with the final version of the essay, the rough draft must be present in class on day that it is due and the author must participate in peer review.  Failure to attend class or failure to thoroughly complete the peer review will result in the reduction of your essay grade by 10%. 
Revisions: All take-home essays, except Essay 4, may be revised and resubmitted for re-evaluation.  Revisions must be turned in within two weeks of the original assignment due date.
Reading Assignments: Reading assignments should be completed prior to the due date on the syllabus.  Being prepared for class and earning full credit for participation includes keeping up with the reading assignments and coming to class prepared to discuss them. 
Late Work: Late papers will get a full letter-grade markdown, and will be accepted no later than one week after the due date. Failure to turn in an assignment will result in a “0” for that assignment. Late “Exercise” homework (exercises from Stepping Stones, etc.) will not be accepted.
Participation: Our classroom needs to be an optimal, positive environment for learning, so that you can focus on the course materials without disturbance; therefore, all cell phones, hands-free and other electronic devices must be turned off and put away before class.  No texting, no phones on vibrate since this is audible, and, of course, no answering phones.  If you have an emergency that requires you to be available by phone during class hours, please notify your instructor before class starts, and sit near the door with your phone on a silent setting.  It is never okay to disrupt the learning environment.
Classroom Conduct: College, and this classroom specifically, are places that ask for active participation in various activities in the process to being an informed and participating citizen.  Part of the process will include writing activities and discussions.  Sleeping, engaging in side conversations, doing other homework, playing with your cell phone or electronic devices, or other activities that are disruptive to the class will negatively affect the participation component of our class, may result in you being asked to leave (and thus being marked absent), and may warrant a referral to the Dean for further action.
Classroom Environment:  Our classroom needs to be an optimal, positive environment for learning, so that you can focus on the course materials without disturbance; therefore, all cell phones, hands-free and other electronic devices must be turned off and put away before class.  No texting, no phones on vibrate since this is audible, and, of course, no answering phones.  If you have an emergency that requires you to be available by phone during class hours, set your phone to a silent setting, and take the call in the hall.  It is never okay to disrupt the learning environment.
Multicultural Statement
This course teaches students to read and write critically about a myriad of subjects, which represent and reflect culturally diverse issues and problems. Further, writing assignments are designed to help students understand and respect diverse cultural perspectives and to show how these perspectives contribute to the development and growth of society. In addition, instructional methods are used to accommodate the various learning styles of students, thus promoting self-confidence and student success.
Disabled Students Programs and Services
Students with limitations due to a disability may receive support services and instruction from Disabled Student Programs and Services. Those students with mobility, visual, hearing, speech, psychological and other health impairments as well as learning and developmental disabilities are served. For information or an appointment call (562) 860-2451, extension 2335; (562) 274-7164 (VP) or (562) 467-5006 (FAX).
Contact information for a few reliable classmates
___________________________________________________________________
Name                                                                            Phone                                        Email
___________________________________________________________________
Name                                                                            Phone                                        Email

Schedule of Topics and Assignments (subject to change)
Date
Homework & class preparation to complete before class
Unless otherwise noted, all assignments are from Stepping Stones
***IMPORTANT: For grammar activities from Stepping Stones, turn in answers to even numbered questions only. Answers to odd numbered questions are in the back of the book. ***
Exams, and major assignments
Week 1
Mon. 8/17
WELCOME!
Review the syllabus
Discuss the class website
Take handout for homework
Diagnostic writing
Wed. 8/19
Read: “Grow Your Intelligence”
Written homework: One paragraph summary + thesis
In-class: Discuss purpose and audience

Week 2
Mon. 8/24
Quiz
Read Chapter 3: Developing a Topic,
Chapter 11: The Simple Sentence,
Written homework: Chapter 11 - Activities 1-4 & 7-9
***IMPORTANT: For grammar activities from Stepping Stones, turn in answers to even numbered questions only. Answers to odd numbered questions are in the back of the book. ***
In-class: Writing process, Introduce Composition 1 assignment
Wed. 8/26
Quiz
Read Chapter 6: Developing Details,
“A Duty to Heal” by Pius Kamau, HANDOUT (POST SUMMATION AT WEBSITE)
Chapter 10: The Simple Sentence,
Written homework: Chapter 10 - Activities 11, 12, 14, & 15
One-paragraph reaction to “A Duty to Heal”
*** Last day to drop class and get a full refund is Aug. 28
Week 3
Mon. 8/31
Quiz
Read Chapter 4: Outlining Your Paragraph,
Patterns of Development; Description
Chapter 11: The Simple Sentence,
“The Joy of Reading and Writing: Superman and Me” by Sherman Alexie,  (POST)
Written homework: Chapter 10 - Activities 17, 18, 21, & 25
One-paragraph reaction to “The Joy of Reading and Writing: Superman and Me” (hand in)
Bring photo for Composition 1

Wed. 9/2
Quiz
Read Chapter 5: Composing the Paragraph
Chapter 11: The Simple Sentence
Condense a sentence (tighten and trim)
Written homework: Chapter 10 – Activities 27, 28, 30, 31, & 33
*** Last day to drop class with no “W” is Sept. 4
Outline of Composition 1
 
Week 4
Mon. 9/7
LABOR DAY HOLIDAY – NO CLASS
 
Wed. 9/9
Quiz
Read Chapter 7: Revising,
Chapter 15: Using Verbs Correctly,
Written homework: Chapter 15 - Activities 1-4
Draft of Composition 1
Week 5
Mon. 9/14
Quiz
Read Chapter 7: Revising,
In class: Read and discuss “Caring Makes Us Human” by Troy Chapman Handout (POST)
introduce Composition 2 assignment

Composition 1 due

 
Wed. 9/16
Quiz
Read Exemplification; Narration
Chapter 6: Developing Details
Chapter 16: Using Verbs Correctly
Written homework: Chapter 16 - Activities 6-10

 

Week 6

Mon. 9/21           
Quiz
Read Chapter 12: Compound Sentence
Written homework: Chapter 112Activities 10, 12, 14, 16
Outline of Composition 2 due
Wed. 9/23
Quiz
Read Chapter 12: Compound Sentences
Written homework: Chapter 12 Activities 23-24, 27-28
In class: Read and discuss “The Sanctuary of School” by Lynda Barry HANDOUT (POST)

 

Week 7

Mon. 9/28
Quiz
In-class: review drafts with group
Mid-Term Exam
Draft of Composition 2 Mid-Term Exam

Wed. 9/30
Quiz
Read Chapter 13: The Complex Sentence
Written homework: Chapter 12 Activities 1, 3, 5, 7, & 9
Read Devil in a Blue Dress, Ch. 1-3, pp. 45-68 (POST)
Begin Reading presentations

(Reading Analysis Presentation 1 – if you’re signed up)

Week 8
Mon. 10/5
Quiz
Read Devil in a Blue Dress, Ch. 2-3, pp. 69-96. (POST)
In class: Introduce Composition 3 assignment
Reading presentations

Comp 2 rough draft due

(Reading Analysis Presentation 1 – if you’re signed up)

Wed. 10/7
Quiz
Read Chapter 9: Moving from Paragraphs to Essays
Chapter 13: The Complex Sentence
Written homework: Chapter 12 Activities 10, 13, & 15
Read Devil in a Blue Dress, Ch. 4-5,  (POST)
Reading presentations

(Reading Analysis Presentation 1 – if you’re signed up)


Composition 2 due

Week 9

Mon. 10/12
Quiz
Read Chapter 8: Moving from Paragraphs to Essays
Read Chapter 17: Using Pronouns Correctly
Written homework: Chapter 17 Activities 1, 4, 7-8
Read Devil in a Blue Dress, Ch. 6-7, pp. (POST)
Reading presentations


(Reading Analysis Presentation 1 – if you’re signed up)
Wed. 10/14
Quiz
Read Chapter 17: Using Pronouns Correctly
Written homework: Chapter 16 Activities 10-11, 13, & 15
Read Devil in a Blue Dress, Ch. 8-9 (POST)
Reading presentations
(Reading Analysis Presentation 2 – if you’re signed up)

Week 10

Mon. 10/19
Quiz
Read Appendix B: Punctuation and Capitalization, pp. A-29
Written homework: Appendix B Activities 1 & 3
Read Devil in a Blue Dress, Ch. 10-11, pp. (POST)
Reading presentations
(Reading Analysis Presentation 2 – if you’re signed up)

Wed. 10/21
Quiz
Read Devil in a Blue Dress, Ch. 12-13 (POST)
Reading presentations

(Reading Analysis Presentation 2 – if you’re signed up)
Thesis statement for composition 3 due (in-class)

Week 11

Mon. 10/26
Quiz
Read Appendix B: Puctuation and Capitalization, pp. 494-499
Written homework: Activities 4-6
Read Devil in a Blue Dress, Ch. 14-15. (POST)
Reading presentations
(Reading Analysis Presentation 2 – if you’re signed up)
Complete first paragraph of Composition 3 due
Wed. 10/28

Read Devil in a Blue Dress, Ch. 16-17. (POST)
Composition 3 rough draft due

Week 12

Mon. 11/2
Quiz
In-class: Introduce Essay 4 assignment; prepare for in-class essay
Discuss prompt for assignment 4
Writing exercises
read Devil in a Blue Dress, Ch. 18-20 (POST)

Wed. 11/4
Quiz
In-class essay.
Read Devil in a Blue Dress, Ch. 21-23 (POST)
Over the weekend begin your prewriting for Essay 4
In-class Essay



Week 13
Mon. 11/9
Quiz
In-class: Workshop prewriting for Essay 4
Writing exercises
Read Devil in a Blue Dress, Ch. 24-27. (POST)
brainstorm essay 3

Wed. 11/11

VETERANS’ DAY – NO CLASS

Week 14
Mon. 11/16
Quiz
Read Devil in a Blue Dress, Ch. 27-31 (POST)(POST)
writing exercises
Begin review towards Final Exam
Outline comp 3 due
Wed. 11/18
Quiz (Sentence review)
In-class: review drafts
*** Last day to drop classes with a “W” is Nov.
Sentence review: Keep it simple

Rough Draft of Essay 3 due

Week 15
Mon. 11/23
Quiz:
In-class: Peer review of drafts of Essay 4
More sentences: Compound and complex
Final Draft of Essay 3
Begin Research Paper
Wed. 11/25
Quiz
In-class: More peer review.
Writing exercises
In-class tutorial: library database
Week 16
Mon. 11/30
Quiz
Review Outlining
Research Paper 
Wed. 12/2
Quiz
Writing Thesis Statement
Research Paper 
Week 17
Mon. 12/7
Quiz
Writing a Strong Paragraph
Research Paper 
Wed. 12/9
Review for Final
Review for Final

Finals Week
Mon. 12/14
Final Exam 8:00 pm - 10:00 pm period

Essay 4 due